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The unique design of the Rolex Learning Center in Lausanne is enhanced by the light of the night


Aaro Siza is the first Rolex project to be closely associated with the architectural community and outstanding architects, most notably Kazuyo Sajima and Tatsuo Nishizawa, two architects from the Japanese architectural firm SANAA, who designed the Rolex Learning Center. As the cultural center and library of the Ecole Polytechnique Fédérale de Lausanne (EPFL), the building is a landmark work in the global architectural community. It is the result of a long-standing partnership between Rolex and the institute. The building was officially opened in 2010 and has won widespread international acclaim. Rolex's strong support for the architectural community is also evident in the Rolex Creative Arts Referral Grant Program. This biennial charity program was launched in 2002. In keeping with Rolex's philosophy that supporting individual achievement is fundamental to the brand, this program is dedicated to the development of young artists in seven artistic fields, including architecture. By placing these emerging artists in a year-long collaboration with master artists, these young talents have the opportunity to learn, create and grow at a critical time in their careers. In 2012, architecture became a new area of the program, with Kazuo Sajima as the mentor. Currently, Swiss architect Peter Zumthor serves as a mentor, and his protégé is Paraguayan architect Gloria Cabral. Frank Gehry, Sir David Chipperfield, Daniel Libeskind and Rye Nishizawa serve on the Program's Advisory Board. A committee is reconstituted for each edition of the program and is responsible for the selection of mentors. Our collaboration with the Venice Architecture Biennale demonstrates Rolex's relentless pursuit of excellence and achievement, which is undoubtedly exemplified by the most distinguished architectural exhibition of our time," said Arnaud Boetsch. We look forward to enhancing our relationship with this world-renowned exhibition in the coming years," said Arnaud Boetsch.

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